No, It’s not April 1st!

When I read this article it had all the hallmarks of a classic April Fools joke, but no – it turns out that McCallum Bagpipes are supplying the Sultan of Oman’s Royal Guard with flexible blowsticks for their camel-mounted pipers!

The Sunday Post – “Bendy bagpipes for the Sultan’s bands”

Apparently it’s difficult to ride a camel and play the bagpipes at the same time – the ride is bumpy and teeth get knocked out. When McCallum Bagpipes’ Omani distributor passed the news of this problem to the good people at McCallum, the company responded with their characteristic ingenuity and now mounted pipers the world over can breathe a sigh of relief.

Cherede Darievea – the tune with no name

Lovers of piobaireachd should definitely check out BBC Radio Scotland’s Pipeline show this week.

The star of the show this week (10th November, 2007) is a beautiful performance of a tune that actually has no name. I suppose this is an artifact of oral transmission, but many tunes in the ancient piobaireachd canon have come down to us with no name. When this has happened the tunes are left designated as “Nameless”, although the first few canntaireachd vocables are usually attached to the designation. In the case of the tune played on Pipeline this week, the tune shows up in only one manuscript source – Colin Mor Campbell’s Nether Lorn canntaireachd – and is usually referred to by those vocables, “Cherede Darievea”.

Cherede Darievea is one of the very long tunes in the repertoire. Iain Speirs is the performer this week, the recording having been taken from the recent Glenfiddich Piping Championships. He keeps a good level of forward momentum in the tune, but even so he comes in at a little under 19 minutes.

With the nameless tunes one wonders what they might once have been called. Still, even deprived of a back story, Cherede Darievea has a lyrical and haunting melody and Iain Speirs’ performance and beautifully set-up bagpipe are a delight to listen to.

The show switches editions on Saturday evenings so you still have a couple of days to listen. The tune is not often played, so be sure not to miss this rare treat.

Piobaireachd on old instruments

I heard an interesting pairing of tunes on this week’s edition of the BBC Radio show Pipeline. Gary West’s guest was Glenn Brown of Ontario, and he gave a fine performance of The Big Spree. On the same show Gary featured a tune called The Gathering of the MacDonalds of Clanranald. This was performed by Decker Forrest on a reproduction of a Donald MacDonald chanter, which would mean that the instrument should sound like those from the early 1800’s.

The differences between the tone of the modern instrument and the “old” one were quite marked. To my ears, I preferred the sound of the older instrument, but maybe that’s just my enthusiasm for archaia speaking. In any case, there is a movement within piping (similar to that in classical music), toward playing tunes on period instruments. I know the purists on either side will argue that their sound is the “correct” one – either true to the original, or allowing the evolution of the instrument to speak for itself – but I’m personally happy to listen to both.

Glenn Brown and Decker Forrest both gave beautiful performances of two great tunes, and I’m glad to live in times when I can hear both side by side.

The New McCallum McC² Solo Chanter

I read a news story today adding some information to my earlier post about the new McCallum McC² solo bagpipe chanter. The August 10th online edition of the Campbeltown Courier newspaper has an article about the new chanter, and includes interview material from Stuart McCallum, founder of McCallum Bagpipes.

It is clear that the new venture has required considerable resources. The article says, in part:

CAMPBELTOWN’s Willie McCallum swept the board at the Lochaber Gathering Festival of Piping at the weekend playing with a new chanter that he designed himself…

…It has taken more than two years to develop and McCallum Bagpipes has invested in machinery worth more than £100,000 to develop and now produce the chanter…

…Before he left the competition the orders for the new chanter were coming in thick and fast from fellow solo pipers….

I may have to get my order in soon!

A New Partnership

An interesting new business venture caught my eye last week. World-renowned piper Willie McCallum announced the launch of a new pipe chanter, the McCallum McC², designed with soloists in mind.

The development of the cleverly-named chanter is the result of a collaboration between Mr McCallum and the highly successful pipe makers McCallum Bagpipes, of Kilmarnock, Scotland. You can read about the chanter on Willie’s new website. I’m not sure if there is a direct family relationship between the two parties, but either way it seems like a match made in heaven. Willie took the new chanter out on a very public (and potentially risky) road-test the week of the World Pipe Band Championships, where he played it unannounced at the Lochaber Gathering. Willie cleaned up that day, winning all the events he competed in – this surely doesn’t hurt potential sales!

I have played McCallum bagpipes since I started piping (admittedly not that long ago), and I have always been impressed both with Stuart McCallum’s bagpipes and his customer service. His chanters have become the benchmark for pipebands around the world (both bands I have played in so far used them), and it is interesting to see him expand so positively into the solo arena.

I wish both sets of McCallums success in this new venture, and you know where I’ll be shopping when I need a new solo chanter!

Update – 8/23/2007!

I wrote Willie McCallum after writing the above, to confirm I had gotten all my facts straight. Willie replied today, and here, in part, is what he said:

…thanks for the article which is good and does not misrepresent the product at all.

The new chanter is quieter and slightly lower pitched than the previous model which was mainly designed for the pipe band market.

As you say it is designed for the solo market. The main characteristics we tried to achieve were stability, good harmonic and volume balance with the drones, reedability, clarity of notes and embellishments, projection without too much volume. The stability of the piobaireachd high G was a major development priority.

Hope this information is helpful. Let me know if I can provide any further.

Thanks again for the feature on the website

Hope to meet up one of these days

Yours sincerely


Thank you Willie – I think this is going to be a popular chanter.

Other Finnish Pipers

What connections are there between Finland and Scotland? Well, here are a few: they each have hard-to-learn languages (Finnish and Scots Gaelic are right up there with Navajo), they are both cold quite a bit of the time, and, of course, both countries have great music.

Since I am one quarter Finnish (on my Father’s side), I always pay attention to things Suomi. For example, the other day I found myself behind a car in downtown Salt Lake City with a bumper sticker instructing me to “Honk If You’re Finnish”. I honked; the occupant paused, then waved.

A few days ago I received a private message from a member of the Piping Forums of which I am a member. Mikko, from Oulo, had written to me asking if I were Finnish. He is the only Great Highland Bagpiper in his town, which is “200km south of the Arctic Circle”. Turns out, if he were to move south, to Helsinki, he would have company. Yesterday I found my way to the website of the Helsinki Pipes and Drums. They are the “oldest, finest and only Pipe Band in Finland”, and they compete in Denmark and amongst the Scandinavian countries. They’ve even been to the US.

I think it’s a good sign when a notoriously shy people will play the loudest acoustic instrument there is.